The Apple Vision Pro (AVP) introduces an unprecedented standard of image fidelity in head-mounted displays, enabling highly immersive VR cinematic experiences. However, leveraging its full potential requires rethinking both acquisition and post-production workflows for stereoscopic content. In this paper, we present a novel imaging and post-production pipeline that addresses the core challenges of 180º stereoscopic cinematography optimized for AVP delivery while using our original VR short film, A Larger Living Space, as a case study.