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UID:9a23488a8809d96ef8c72ea382135b214357d631@swoogo.com
DTSTAMP:20260713T095753Z
DESCRIPTION:This paper explores the concept of auditory envelopment (AE)\, 
 which may have a stimulating effect similar to affective touch—a sensation
  linked to specialized C-tactile nerve fibers and modulated by non-neural 
 pathways. AE\, distinct from listener envelopment (LEV) in acoustical engi
 neering\, is defined and examined through studies involving individuals ag
 ed 6 to 90. Participants identified abstract sounds between 40 and 700 Hz\
 , with AE inducement being the sole variable. Remarkably\, across ages\, d
 escriptions of AE were consistent\, suggesting it is a fundamental percept
 \, possibly developed during gestation. The findings suggest AE might be a
  previously underestimated aspect of pro audio and challenge the notion th
 at 'hearing is first to come\, last to go\,' proposing instead that 'the f
 eeling of AE' could be foundational. Practical implications include challe
 nges in AE control across recording\, mixing\, distribution\, and reproduc
 tion\, with public theatres providing a more reliable environment for AE c
 ompared to domestic setups. The paper is research-based and non-commercial
 .
DTSTART:20241022T173000Z
DTEND:20241022T180000Z
LAST-MODIFIED:20260713T095753Z
LOCATION:Session Room 1
SEQUENCE:0
STATUS:CONFIRMED
SUMMARY:On Auditory Envelopment: An Undervalued Percept
TRANSP:OPAQUE
X-ALT-DESC;FMTTYPE=text/html:<p>This paper explores the concept of auditory
  envelopment (AE)\, which may have a stimulating effect similar to affecti
 ve touch—a sensation linked to specialized C-tactile nerve fibers and modu
 lated by non-neural pathways. AE\, distinct from listener envelopment (LEV
 ) in acoustical engineering\, is defined and examined through studies invo
 lving individuals aged 6 to 90. Participants identified abstract sounds be
 tween 40 and 700 Hz\, with AE inducement being the sole variable. Remarkab
 ly\, across ages\, descriptions of AE were consistent\, suggesting it is a
  fundamental percept\, possibly developed during gestation. The findings s
 uggest AE might be a previously underestimated aspect of pro audio and cha
 llenge the notion that 'hearing is first to come\, last to go\,' proposing
  instead that 'the feeling of AE' could be foundational. Practical implica
 tions include challenges in AE control across recording\, mixing\, distrib
 ution\, and reproduction\, with public theatres providing a more reliable 
 environment for AE compared to domestic setups. The paper is research-base
 d and non-commercial.</p>
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UID:62363463-3365-4462-b530-633331316437
ACTION:DISPLAY
DESCRIPTION:This paper explores the concept of auditory envelopment (AE)\, 
 which may have a stimulating effect similar to affective touch—a sensation
  linked to specialized C-tactile nerve fibers and modulated by non-neural 
 pathways. AE\, distinct from listener envelopment (LEV) in acoustical engi
 neering\, is defined and examined through studies involving individuals ag
 ed 6 to 90. Participants identified abstract sounds between 40 and 700 Hz\
 , with AE inducement being the sole variable. Remarkably\, across ages\, d
 escriptions of AE were consistent\, suggesting it is a fundamental percept
 \, possibly developed during gestation. The findings suggest AE might be a
  previously underestimated aspect of pro audio and challenge the notion th
 at 'hearing is first to come\, last to go\,' proposing instead that 'the f
 eeling of AE' could be foundational. Practical implications include challe
 nges in AE control across recording\, mixing\, distribution\, and reproduc
 tion\, with public theatres providing a more reliable environment for AE c
 ompared to domestic setups. The paper is research-based and non-commercial
 .
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