Got Color or Imaging Research? Submit to MTS2025!
The Society of Motion Picture and Television Engineers® (SMPTE®), a leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, is seeking technical papers for Color Imaging focused track for the SMPTE 2025 Annual Technical Conference , to be held 13 – 16 October 2025 at the Pasadena Convention Center, 300 E Green St, Pasadena, CA 91101.
SMPTE Media Technology Summit 2025
Color, Vision, and Imaging Science for professional motion-imaging workflows is a dedicated conference at SMTPE 2025 MTS for color and imaging scientists, researchers, and practitioners to share their original technical contributions and evidence-based outcomes with impact to professional motion imaging workflows. Authors are expected to include preliminary data, results, and conclusions, to be expanded in a final manuscript.
Accepted work will be shared with the global community in one of two submission tracks:
Track |
What You Sumbit |
Publication Outcome |
Presentation Opportunity |
---|---|---|---|
Journal Track |
Full, publication-ready manuscript (up to 5000 words) |
Guaranteed publication in the peer-reviewed SMPTE Motion Imaging Journal |
Automatic 30-min talk in the Color, Vision & Imaging Science program at MTS 2025, if accepted |
Conference Proceedings Track |
Extended summary (up to 1500 words) summarizing key results & methodology with figures |
Proceedings papers will be considered for, but are not guaranteed, publication in MIJ |
Provisional 20-min talk; final slot confirmed upon submission of a satisfactory full paper by 30 August 2025 |
We welcome papers to the topics below.
Submissions must demonstrate rigorous methodology and clear relevance to professional motion-imaging practice
CONFERENCE TOPICS
Color, Vision and Imaging Science MTS2025, a dedicated track for color and imaging scientists, researchers and practitioners to share evidence-based outcomes with impact to professional motion imaging workflows
Technical papers are invited in, but not limited to, the following:
Color Vision and Adaptation for Motion Imaging: color appearance phenomena, vision adaptation, visual psychophysics, observer metamerism, psychological effects of color, spatial and temporal color vision, human-centered digital color processing, color appearance models (CAMs), environment-dependent rendering
Color Capture and Reproduction: image capture technologies, color sensing, color resolution and CFA design, color demosaicking, display technologies, high dynamic range (HDR), wide color gamut (WCG)
Motion Imaging Illumination and Lighting: Color rendering, color mixing, light projection, illuminant metamerism, multi-illumination imaging
Color Correction, Image Encoding and Image Processing: color encoding spaces, digital color management, tone and gamut mapping, color transforms, color workflows, color grading, image style transfer, compression
Color and imaging science for VFX and CGI: material appearance capture, synthetic view generation, computational imaging, appearance reproduction and modeling (gloss, translucence, etc.), color rendering, physical-based rendering, image re-lighting
Color and Image Processing for Virtual Production: LED panel design, virtual art department color encoding, LED processing, color transport, camera-to-LED calibration, metamerism
Color Theory: colorimetry, uniform color spaces, expanded color spaces, models of color perception, mathematical models of color
Image Quality: perceptual quality indices, color difference metrics, color preference, color fidelity, color accuracy, color charts and testing, image pipeline validation methodologies
Emerging Color: Pipelines for Motion Imaging: 360-degree video, AR/VR/XR color imaging, volumetric capture, AI-supported color processing, generative-AI color, spectral imaging, multiprimary capture and display
Why Submit?
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Dual Impact – Publish in a respected peer-reviewed journal and address industry leaders at the SMPTE Media Technology Summit.
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Accelerated Review – Journal-Track papers move swiftly through peer review, keeping your research timely.
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Global Reach – Present to SMPTE’s worldwide membership and gain permanent archival visibility.
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Networking & Feedback – Engage with a multidisciplinary community of engineers, researchers, and creatives shaping the future of color science.
Author Resources
- Templates & guidelines: Author Guidelines for Submitting a Manuscript
- Submission portal: Society of Motion Picture and Television Engineers - Submission (select SMPTE 2025 MTS Color Science Track as manuscript source, and January/February 2026 for the Journal issue when submitting).
Questions? Email Education—our team will help you navigate the process.
Advance the art and science of color in motion imaging—submit your work by June 30, 2025!
Key Dates (both tracks)
Milestone |
Dates |
---|---|
Submit manuscript or outline Milestone |
30 June 2025 |
Journal-Track decisions |
July 31, 2025 |
Proceedings-Track full-paper deadline |
August 30, 2025 |
Final program-ready files (presentation deck and manuscript, both tracks) |
September 12, 2025 |