Two decades of experience working in Feature Films (Greyhound), TV/Episodic (Westworld), Advertising (Chevrolet: Real People), Visual Effects Units (Black Panther), Special Venue projects (The Universal Sphere at Comcast HQ) and a highly technical background with cameras and motion picture optics. In 2010 I participated in the pre-production prototype testing of Leica’s first motion picture lens series, Summilux-C.

I have been fortunate to work with many of the industry’s highest-regarded Cinematographers, Engineers, and Technicians. During 2020 I began working exclusively with LED technology in VFX and in 2021 was offered a role at Brompton Technology supporting the use of LED on camera.